Our YouTube recordings

On this page, all recordings are shown chronologically as published on our YouTube channel, with the newest on top. The content here is the same as on our channel, with the added convenience of having an instant list to pick and choose from without leaving our website. If you prefer to play all our videos as one playlist, please go to our channel videos and PLAY ALL, or choose from any of our other playlists. If you enjoyed our performances and you want to show your support and appreciation, we’d love to welcome you as a subscriber while you’re there (no cost involved). Clicking on the bell will also make sure you get notified as soon as a new video is up. We look forward to receiving your views and comments!

Let’s start with the recordings from our 2021 attic studio, which we set up in response to the lockdown measures that prevented us from performing to live audiences. The videos show us playing as we would to a live audience, with the added advantage that we’ve now been able to reach a much wider public across the globe (see a selection of the responses on our reviews page).


Our arrangement of the classic Carl Perkins rockabilly hit Honey Don’t was inspired by Ringo’s rendition on the Beatles For Sale album, with the usual Tickets touch added on the bass, the harmonica and the harmony vocals

Shindig is an energetic Shadows instrumental that’s been on our repertoire since the earliest days of The Tickets some forty years ago, and has continued to be popular with audiences throughout that timespan

We’re back to The Kinks with this dreamy Ray Davies composition, including a few new video edits, a bass intro and outro solo, and our usual dusting of carefully targeted harmonies to create the impression that there’s more than just the two of us playing and singing in this live take

Our latest recording takes us back to some 1966 Rolling Stones, with our interpretation of the iconic Paint It Black, where the dobro plays the theme melody and Tickets harmonies spice up the vocals

Cliff’s first global number one million seller, when The Shadows were still called The Drifters, with a Tickets twist where Nigel plays Hank’s guitar accompaniment and signature solo on the tenor uke

No intro needed really for this Neil Diamond composition and UK and US number one hit for The Monkees, with the bass taking the solo and the harmonica playing the organ riffs at the start and the end of the song

This great song and global 1968 hit has its roots in 1920s Russia, and we’ve used the mandolin to recreate the balalaika vibe that we feel belongs to this composition by Boris Fomin, who sadly never lived to get the recognition he deserved for writing the melody

Many of the Sixties artists we love and admire were inspired by The Everly Brothers’ gold standard harmonies, so this Phil Everly song just had to find its way onto our repertoire, with the addition of a more prominent bass line and a harmonica solo

Possibly one of the most recognisable guitar instrumentals ever recorded, and a prelude to the great explosion of musical creativity that was already brewing in that summer of 1960

Our version of this popular double platinum Elvis hit takes inspiration from a mix of the original with the live unplugged vocal harmony version as performed by Cliff & The Shadows

Our arrangement of this 1965 John Lennon composition uses the mandolin to create a “Tickets” feel to the 12-string guitar sounds from the original

Our most performed number and usually our gig or set finisher is a bit of a multi-tasking tour de force with five instruments being played simultaneously by just the two of us throughout most of the song

We’ve arranged Buddy Holly’s first global hit for the ukulele, with Nigel alternating between rock ‘n roll licks and fingerpicking style

We love this Kinks tune with its iconic opening riff and laid back feel, perfectly suited for some real life lazing on a sunny afternoon

We’ve converted this Peter Green dual guitar number to the dobro to create the impression that there’s more than one solo being played

Our version of this 1966 Stones number has Nigel playing the original Brian Jones marimba part on the bass, adding some harmonica and vocal harmony parts, while Dave gives it his lead vocal treatment and foot percussion groove

Harmony vocals, a dose of bluegrass mandolin and some bluesy harmonica bends are the basis for our version of this Carl Perkins classic

Recorded by The Beatles and The Shirelles, we love the early Sixties feel of this number, with Nigel taking the bass solo as well as a few extra Tickets riffs

Our version of Cecilia has the uke playing the guitar part as performed by Paul Simon, with a couple of added harmonica verses to give it a Tickets groove

We love Ray Davies’ compositions, and this one is always an audience favourite, with our version featuring a bass solo, some carefully placed harmonica riffs and a chorus with a high singalong component

Instrumentals are an integral part of our repertoire, and this one is known for being the theme tune for the BBC radio Sound of the 60s programme for 34 years

We’ve arranged this 1969 George Harrison tune for the mandolin, as we think its unique double stringed sound fits the vibe of the overdubbed instruments in the original Beatles recording on the Abbey Road album

The advent of Rock ‘n Roll was a great inspiration for many Sixties bands, as you will see it is for us too with this Eddie Cochran classic that a young Paul McCartney impressed John Lennon with on their first meeting

Our version of this atmospheric Otis Redding hit features a dobro accompaniment plus outro solo and is spiced up with some signature Tickets vocal harmonies

This catchy tune with its classic vocal harmony chorus and the uke taking the iconic guitar solo was the first of our 2021 weekly recordings in our newly set up studio


Having set up and extensively trialled the audio and the video in our new attic studio over October and November, we were just about ready to publish the two Christmas numbers below in time for the 2020 festive season.

A timeless tune with a classic Shaky bounce, which we hope we’ve captured with our duo setup

The very first of our attic studio recordings to go public, played with the intent we’d built up during rehearsals for our cancelled Christmas live performance


The re-closure of restaurants and other public venues in October 2020 lead to a focus on recording our repertoire so we could continue to play and share our performances online. This is something we’d long been planning to do, but never had time to because of our performance schedule. We felt a home studio would be the best fit, as our time would then be our own and with only two of us involved, we would be less likely to be affected by social distancing rules. The technical side of our studio was gradually built up over the course of the month, with the first stage of positioning ourselves and our instruments shown below.


Little did we know that the coronavirus pandemic was just around the corner, when on the 11th of February 2020 we booked into the Sofa Lounge Studio in The Hague, to convert the live stage experience of 50+ recent gigs into some quality recordings. We set up as we would for a live performance and played six of our favourite numbers as they were recorded and filmed. The results are shown below the Facebook post, in the order in which they were recorded:

We often use this Beatles rooftop concert classic as our gigstarter, with the harmonica replacing the original guitar solo and a punchy walking bass line added to the bridge

This Lovin’ Spoonful number is one of our favourite uke arrangements, with a harmonica part and harmony vocals giving it our own style

A bit of blues often calls for the dobro and the harmonica, as is the case with this Howlin’ Wolf classic that is more widely known in the 1964 Rolling Stones version

Guitar instrumentals are always popular with our audiences and this Ventures tune finds its way onto most of our playlists

Back to the bass for a bit of early Roy Orbison which – as often – features some bluesy harmonica parts

And finally some folk featuring mandolin cross-picking, harmonica and vocal harmonies to create our version of this Bob Dylan classic